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The costumes are gaudy and did not go easy on my eyes, the production design (excluding the songs) is weak, generic and the overall presentation felt like a low-budget soap opera that we usually see during the afternoons. In Crrush, he went forward with a more color-heavy palette that accommodates the young juvenile minds of his characters, but there is zero originality for the most part.
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From his debut film Allari to his move to thrillers like Anasuya, Amaravati, and Avunu, and his blockbuster romantic movies like Nachavule and Manasara, he made sure his unique style reflected on-screen in terms of the color schemes, camera work, and more. Cause Millenials are busy watching mature stuff on Netflix and Prime Video, and Gen Z is more “woke” in their approach and would easily cringe or get disgusted by watching something like this, as I’m pretty sure that they aren’t acting like this to get in bed with a girl.Ībove all, what I missed the most in Crrushis Ravi Babu’s signature and modern filmmaking style.
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I’m also curious in knowing to which age group Ravi Babu is catering to with Crrush. The stereotypical tropes of being disgusted by cartoony gay men and shemales, the usual thinking that American women have sex experience equal to a pornstar by their teenage years, and Indian parents’ physical abuse are beliefs that fit perfectly in that 90s era.Īdditionally, I realize that Ravi Babu wanted to project the reasoning and the ideologies of his adolescent teen film characters more than his point of view, but I want to rebuttal that thought and ask, who exactly believes in these stereotypes in 2021, an era dominated by technology inside and out? First off, the comedy is primarily not funny for the tiniest bit and made me cringe multiple times throughout the runtime. Now the last time I checked, you and I still live in the year 2021, and not in a parallel universe delayed by twenty years, cause it felt like Ravi Babu is still entangled in the 1990s and made a film suitable for the viewers of that era.